sè sè sè fa tre

sta notte sono nate altre due creature (esPAKrillas), ieri altre 3, oggi magari ancora una prima di partire!! direi che siamo pronti per farci guardare dalla testa ai PIEDI in queste vacanZe 2010!!! … queste sono per la mia nuova amica Giulia … chissà quali strade cammineranno, quali piedi incontreranno ! ? have a good summer G.!

by today we have to submit the booth concept and the highlights of our artworks  for our next fair (the creative industries art show)….brain flows, time runs..

è bastato un click per vederci giallognoli con 10 anni in più! (quanto è vintage questa foto scattata esattamente oggi alle h:16:35 ? )

Ludiko Love Polaroid! (photos by Luca Trevisani)

the Fort/Da game:  unconsciousness playful connection between Paka ( Boisbuchet 2009)  and Alis/Filliol (2nd C.A.R.S. group  Exibition opening the 3rd of October 2010)

In Beyond the Pleasure Principle (1920), Sigmund Freud relates the story of a game his grandson invented at the age of one and a half, before he could speak many words.

He used to throw small objects away from him, then say “o-o-o-o” with pleasure.He also took a wooden reel attached to a piece of string, and threw it over the edge of his cot, so that it disappeared. After saying “o-o-o-o,” he would pull it back to himself and say, “da.”He repeated this game over and over.

Freud and the boy’s mother understood him to be saying “Fort” and “Da” (German for gone and there).
Freud theorized that this game of disappearance and return allowed the boy to manage his anxiety about the absences of his mother, to whom he was very attached. By controlling the actual presence and absence of an object, he was able to manage the virtual presence of his mother.

The Fort / Da game was the child’s invention of symbolism: the use of one object (wooden reel) to represent another, absent object (mother).
In human psychological development, symbolism coincides with the emergence of language, or the child’s entry into the field of culturally symbolic sounds and words. Language is one way we give presence to (or re-present) people, ideas, events, and feelings. It’s how we recover the past, or make what is gone, there.
Freud’s grandson was not merely re-presenting his mother as a symbolic object. More importantly, he was representing a relationship (with mother) and coming to terms with a concept (mother can be gone yet still there, in memory and play). D. Willbern (1999)

ma cosa quella bambina (paka) un po’ musona lì sotto, sdraiata sulla scrivania tra mille post it gialli ?? mica controllerà cosa combina quell’altro bambino là (L.boy) …beh sicuramente lo guarda sempre dal basso verso l’alto, ma senza nessuna aria di sufficienza, ma piuttosto con gli occhietti dell’ingenuità che solo una bambina ha!

- indelebile on boy desk - che tanto indelebile non è! speriamo non svanisca! -

Vorrei guidarLo io il Treno dei desideRi!! è posteggiato ad ora in Faro: trasporta giocattoli… e forse ci si potrebbe scommettere!! I suoi baldi cavalieri non potevano che essere Topolino, un porcellino (e gli altri 2??) e il cagnolino (nudo di betty boop?)!!! favola favolosa!

‎..le mie farfalle preferite non sono molto gialle - part 2…

original illustration taken from “sogni e altre cose” By Enzo Mari

Dopo giorni dove sembrava esserci Nessuna possibilità di trovare il titolo per la seconda mostra colletiva  di C.A.R.S. finalmente habemus titulum…stay tuned!

selfportrait - 120 x120 cm - black&white acrylic on recycled wood -